Now showing items 1-2 of 2
Perspectives From the Past, Technology of the Present and the Future: A Critical Appreciation of the Oral Aesthetic in Mapenzi (1999) and Masango Mavi (1998)
The paper critically analyses the contrastive use of Shona oral art forms in Chiwome’s Masango Mavi and Mabasa’s Mapenzi. It proceeds from realisation that the two writers identify with Shona people’s oral experiences, ...
Mass Neurosis, Entrapment, Closure and the Race’s Race of Life in Masango Mavi(1998) and Mapenzi (1999).
This paper critically analyses the projection of the African image and the condition of the African race as depicted in Emmanuel Chiwome’s Masango Mavi (1998), and Ignatius Mabasa’s Mapenzi (1999) in the broad context ...